Brooklyn Rail - ArtSeen Judy Fox: Harvest By Jonathan Goodman

Brooklyn Rail - ArtSeen Judy Fox: Harvest By Jonathan Goodman

A graduate of Yale, terracotta sculptor Judy Fox now lives in Rhinebeck in the Hudson Valley. But she also teaches in New York City at the New York Academy of Art. Her clay sculptures, treated with casein paint, include such oddities as a pair of small broccoli heads, connected by a thick stalk traveling down the middle. The smaller connections between stalk and head create something very like a lung system in dark green. Then there is the pepper taken over by swathes of subtle color, or the parsnip, parted into two segments and painted an off-white—all are examples of Fox’s expertise.

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Airmail News - ART - Judy Fox: Harvest

Airmail News - ART -  Judy Fox: Harvest

In Alan Alda’s movie The Four Seasons (1981), which is about three couples who’ve vacationed together for years, one of the wives is a photographer who’s made a specialty of shooting vegetables. It’s meant to express her ennui, the vegetative state of her marriage, but the idea, à la Irving Penn, has legs. I thought of this in light of “Judy Fox: Harvest,” an exhibition at Nancy Hoffman Gallery. Here are more vegetables, but they are made of terra-cotta and casein paint, and they speak to our current moment, when humanity is finally feeling the backlash generated by two centuries of Earth abuse. Lungs that look like old broccoli (but also the forests that give us oxygen, if only we would stop cutting them down). A hand that could be a squash, but either way it’s blighted. A human head that’s as blind as a potato. Fox’s work is botanical, surreal, and prophetic—a disorienting harvest. —Laura Jacobs

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Frank Owen - NANCY HOFFMAN GALLERY

Frank Owen - NANCY HOFFMAN GALLERY

Painter Frank Owen, now eighty-three, is still making dramatic and complex works charged with spontaneous gestures, bold geometric forms, and surprising juxtapositions of luminous color. One is supposedly less active and able in old age, but not Owen, as the paintings in “Retrospection,” his solo presentation at Nancy Hoffman Gallery, clearly affirm.

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Michele Pred Featured in WHITEHOT MAGAZINE

Equality of Rights

At Nancy Hoffman Gallery

Closing reception at Nancy Hoffman gallery: October 28th, 5-7 pm

“Abortion is Healthcare” performance 10.28, 1 pm at the Brooklyn Musuem

In the wake of the mid-term election, California-based conceptual artist and feminist activist Michele Pred organized a complexe art scenario comprising of a solo exhibition, performances and billboards around the country to question the suppression of women’s rights and inspire people to vote for legal abortion.

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Michele Pred featured on Artsy

Artists Support the Ongoing Need for Abortion Access in a New Benefit Auction

In the months since the U.S. Supreme Court overturned Roe v. Wade in June, people across the country have seen their access to abortion healthcare disappear as states continue to enact strict restrictions and complete bans on the procedure. While shockwaves reverberated through the country, activists swiftly assembled to aid and protect people who might seek abortions, as well as the clinics working to provide the necessary care and services. Supporting these causes, the curatorial collective Grandma has organized a benefit auction to fundraise for Vote Save America’s Immediate Abortion Access Fund. The auction, Impact: Immediate Abortion Access Fund, subtitled “We Deliver Our Bodies,” is now live on Artsy and runs through October 13th.

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